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miyazaki came out of retirement in 2017 to direct what film?

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Japanese blitheness studio

Studio Ghibli Inc.

Native name

 株式会社スタジオジブリ

Romanized proper name

 Kabushiki gaisha Sutajio Jiburi
Type Kabushiki gaisha
Industry Motion pictures
Video games
TV commercials
Predecessor Topcraft
Founded June 15, 1985; 36 years agone  (1985-06-15)
in Tokyo, Japan
Founders
  • Hayao Miyazaki
  • Toshio Suzuki
  • Isao Takahata
Headquarters

Koganei, Tokyo

,

Japan

Area served

 Worldwide

Key people

 Koji Hoshino
(Chairman)
Kiyofumi Nakajima
(President)
Hayao Miyazaki
(Manager)
Toshio Suzuki
(Executive director)
Products Blithe feature films, television receiver films, commercials, alive-action films

Internet income

 ¥ane.426 billion (2011)
Full avails ¥xv.77 billion (2011)

Number of employees

 182 (2021)
Parent Tokuma Shoten (1985–2005)
Contained (2005–present)
Studio Ponoc (employees, 2015–present)
Subsidiaries Studio Kajino
Website www.ghibli.jp

Studio Ghibli Inc. (Japanese: 株式会社スタジオジブリ, Hepburn: Kabushiki-gaisha Sutajio Jiburi ) [i] is a Japanese blitheness movie studio headquartered in Koganei, Tokyo.[2] It is all-time known for its animated characteristic films, and has as well produced several short subjects, television set commercials, and two television films. Its mascot and most recognizable symbol is a grapheme named Totoro, a behemothic catlike spirit from the 1988 anime motion-picture show My Neighbor Totoro. Among the studio's highest-grossing films are Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008).[3] The studio was founded on June 15, 1985 by directors Hayao Miyazaki and Isao Takahata and producer Toshio Suzuki, after the successful performance of Topcraft'southward Nausicaä of the Valley of the Wind (1984). It has also collaborated with video game studios on the visual evolution of several games.[4]

5 of the studio's films are among the x highest-grossing anime feature films made in Japan. Spirited Away is 2nd, grossing 31.68 billion yen in Japan and over US$380 one thousand thousand worldwide; and Princess Mononoke is fourth, grossing 20.18 billion yen. Many of their works have won the Animage K Prix award. Four have won the Japan Academy Prize for Blitheness of the Year. Five of their films take received Academy Award nominations. Spirited Away won the 2002 Golden Comport and the 2003 Academy Award for Best Animated Feature.[5]

On August 3, 2014, Studio Ghibli temporarily suspended production post-obit Miyazaki's retirement. In February 2017, Suzuki appear that Miyazaki had come out of retirement to direct a new feature moving-picture show, How Do Y'all Alive?, which he intended to be his final film.[half-dozen] [7]

Name [edit]

The name "Ghibli" was chosen by Miyazaki from the Italian substantive ghibli (also used in English), based on the Libyan Arabic name for hot desert current of air ( قبلي , 'ghiblī' ), the idea being the studio would "blow a new current of air through the anime industry".[8] [9] It likewise refers to an Italian aircraft, the Caproni Ca.309. Although the Italian word would exist more accurately transliterated as "Giburi" ( ギブリ ), with a hard g audio, the studio is romanised in Japanese as Jiburi ( ジブリ , [dʑiꜜbɯɾi] ( audio speaker icon heed )).[8]

History [edit]

Tokuma Shoten era [edit]

Founded on June 15, 1985, Studio Ghibli was headed by directors Hayao Miyazaki and Isao Takahata and producer Toshio Suzuki. Miyazaki and Takahata had already had long careers in Japanese picture and television animation and had worked together on The Great Hazard of Horus, Prince of the Sun in 1968 and the Panda! Go, Panda! films in 1972 and 1973. In 1978, Suzuki became an editor at Tokuma Shoten's Animage manga magazine, where the kickoff motion picture he chose was Horus. A twelvemonth after his phone call with Takahata and his start see with Miyazaki, both about Horus, he made a phone call about the commencement pic Miyazaki ever directed: The Castle of Cagliostro.

The studio was founded after the success of the 1984 film Nausicaä of the Valley of the Wind. Suzuki was part of the moving picture'south production squad, and founded Studio Ghibli with Miyazaki, who also invited Takahata to join them.

The studio has mainly produced films by Miyazaki, with the second well-nigh prolific director being Takahata (most notably with Grave of the Fireflies). Other directors who take worked with Studio Ghibli include Yoshifumi Kondō, Hiroyuki Morita, Gorō Miyazaki, and Hiromasa Yonebayashi. Composer Joe Hisaishi has provided the soundtracks for well-nigh of Miyazaki's Studio Ghibli films. In their book Anime Classics Zettai!, Brian Camp and Julie Davis made notation of Michiyo Yasuda as "a mainstay of Studio Ghibli's boggling design and production squad".[ten] At one time the studio was based in Kichijōji, Musashino, Tokyo.[11]

In August 1996, The Walt Disney Company and Tokuma Shoten formed a partnership wherein Walt Disney Studios would be the sole international distributor for Tokuma Shoten's Studio Ghibli blithe films.[12] Under this agreement, Disney also agreed to finance x% of the studio'due south production costs.[xiii] Since then, all iii same films past Miyazaki at Studio Ghibli that were previously dubbed by Streamline Pictures accept been re-dubbed by Disney.[xiv] On June ane, 1997, Tokuma Shoten Publishing consolidated its media operations past merging Studio Ghibli, Tokuma Shoten Intermedia software and Tokuma International under i location.[xv]

Over the years, at that place has been a shut relationship between Studio Ghibli and the mag Animage, which regularly runs exclusive articles on the studio and its members in a section titled "Ghibli Notes." Artwork from Ghibli'southward films and other works are frequently featured on the encompass of the mag. Saeko Himuro'south novel Umi ga Kikoeru was serialised in the magazine and subsequently adapted into Ocean Waves, Studio Ghibli'southward first blithe characteristic-length film created for television set. It was directed past Tomomi Mochizuki.[16]

In October 2001, the Ghibli Museum opened in Mitaka, Tokyo.[17] It contains exhibits based on Studio Ghibli films and shows animations, including a number of short Studio Ghibli films non available elsewhere.

The studio is as well known for its strict "no-edits" policy in licensing their films abroad due to Nausicaä of the Valley of Wind being heavily edited for the film's release in the United States every bit Warriors of the Air current. The "no cuts" policy was highlighted when Miramax co-chairman Harvey Weinstein suggested editing Princess Mononoke to brand it more marketable. A Studio Ghibli producer is rumoured to accept sent an authentic Japanese sword with a simple bulletin: "No cuts".[18]

Independent era [edit]

Between 1999 and 2005, Studio Ghibli was a subsidiary brand of Tokuma Shoten; notwithstanding, that partnership concluded in April 2005, when Studio Ghibli was spun off from Tokuma Shoten and was re-established as an contained visitor with relocated headquarters.

On February 1, 2008, Toshio Suzuki stepped downwards from the position of Studio Ghibli president, which he had held since 2005, and Koji Hoshino (onetime president of Walt Disney Japan) took over. Suzuki said he wanted to improve films with his own hands every bit a producer, rather than demanding this from his employees. Suzuki decided to hand over the presidency to Hoshino considering Hoshino has helped Studio Ghibli to sell its videos since 1996 and has also aided the release of the Princess Mononoke motion picture in the United states.[19] Suzuki yet serves on the company's board of directors.

Two Studio Ghibli short films created for the Ghibli Museum were shown at the Carnegie Hall Citywise Japan NYC Festival: "House Hunting" and "Mon Mon the H2o Spider" were screened on March 26, 2011.[20]

Takahata developed a project for release afterwards Gorō Miyazaki'due south (director of Tales from Earthsea and Hayao'due south son) The Tale of the Princess Kaguya – an adaptation of The Tale of the Bamboo Cutter. The last film Hayao Miyazaki directed earlier retiring from feature films was The Wind Rises which is well-nigh the Mitsubishi A6M Zero and its founder.[21]

On Sunday, September 1, 2013, Hayao Miyazaki held a printing conference in Venice to confirm his retirement, saying: "I know I've said I would retire many times in the past. Many of yous must think, 'Once again.' But this time I am quite serious."[22]

In 2013, a documentary directed by Mami Sunada chosen The Kingdom of Dreams and Madness (Japanese: 夢と狂気の王国, Hepburn: Yume to kyōki no ōkoku ) was created delving into the lives of those working at Studio Ghibli and the productions of the animated films The Wind Rises and The Tale of the Princess Kaguya, including storyboard sketching, inking, painting, and voice thespian pick for the films.[23]

On Jan 31, 2014, it was announced that Gorō Miyazaki volition straight his first anime television set series, Sanzoku no Musume Rōnya, an adaptation of Astrid Lindgren's Ronia the Robber's Daughter for NHK. The serial is computer-animated, produced by Polygon Pictures, and co-produced by Studio Ghibli.[24] [25]

In March 2014, Toshio Suzuki retired as producer and assumed the new position of full general manager. Yoshiaki Nishimura replaced Suzuki in the producer part.[26]

On Baronial three, 2014, Toshio Suzuki announced that Studio Ghibli would take a "brief intermission" to re-evaluate and restructure in the wake of Miyazaki's retirement. He stated some concerns about where the company would get in the future.[27] [28] [29] [30] This led to speculation that Studio Ghibli volition never produce another feature film again. On November seven, 2014, Miyazaki stated, "That was non my intention, though. All I did was announce that I would exist retiring and not making any more features."[31] Pb producer Yoshiaki Nishimura among several other staffers from Ghibli, such as director Hiromasa Yonebayashi, left to institute Studio Ponoc in Apr 2015, working on the film Mary and the Witch'due south Blossom.

The 2016 animated fantasy film The Red Turtle, directed and co-written past Dutch-British animator Michaël Dudok de Wit in his feature movie debut, was a co-production between Studio Ghibli and Wild Bunch.[32]

In February 2017, Toshio Suzuki announced that Hayao Miyazaki had come out of retirement to direct a new feature film with Studio Ghibli.[33]

On November 28, 2017, Koji Hoshino stepped down as president; he was replaced by Kiyofumi Nakajima (one-time Ghibli Museum director). Hoshino was then appointed equally Chairman of Studio Ghibli.[34] [35]

In May 2020, Toshio Suzuki confirmed that a new pic from Gorō Miyazaki is in evolution at Studio Ghibli. On June 3, 2020, Studio Ghibli appear that the film would be an adaptation of the novel Earwig and the Witch by Diana Wynne Jones. The movie was appear as the first full 3D CG blithe Ghibli motion-picture show and slated for a television premiere on NHK in tardily 2020.[36]

Distribution rights [edit]

Theatrical and home media rights [edit]

Japan [edit]

In Nippon, the company's films (forth with The Castle of Cagliostro and all other Lupin the Tertiary titles for moving-picture show theaters as well as Mary and the Witch'due south Flower) are distributed by Toho theatrically, except for Castle in the Sky, Kiki'southward Delivery Service (which were distributed by Toei Company forth with Nausicaä of the Valley of the Current of air, with Toei producing The Great Risk of Horus, Prince of the Sun), and My Neighbors the Yamadas, which was distributed past Shochiku.

For habitation media, a majority of Studio Ghibli releases are distributed by Walt Disney Studios Japan. This likewise includes Nausicaä of the Valley of the Air current, The Castle of Cagliostro and Mary and the Witch's Bloom.[37] Pony Coulee occasionally releases Ghibli documentaries on home media, and also distributes rental versions of Ghibli'due south movies under a deal with Disney. Pony Canyon also fully distributed the standalone version of Earwig and the Witch on domicile media.

Before the Disney deal, Tokuma Shoten released Ghibli movies themselves through their "Animage Video" imprint, as well equally all Laserdisc releases of the movies, every bit the Disney deal did not include that format.

Asia [edit]

In Asia, films are distributed by local companies, including Daewon Media in S Korea (who besides concord exclusive merchandising rights to their catalog in the land), Intercontinental Video Limited (IVL) in Hong Kong and Disney/Buena Vista'south label distribution at Excelmedia in China and Deltamac in Taiwan.

North America [edit]

Manson International and Showmen, Inc. produced a 95-infinitesimal English dub of Nausicaä of the Valley of the Current of air, titled Warriors of the Wind, which was released theatrically in the Us by New Earth Pictures on June 13, 1985, followed past a VHS release in December 1985.[38] In the belatedly 1980s, Vestron Video would re-release the film and First Contained Video would re-release it again in 1993, with another infinitesimal cut from the pic. The voice actors and actresses were not credited and were not even informed of the film's plot line, and the film was heavily edited to market place it as a children's action-adventure film, although the film received a PG rating just like Disney'south subsequently English dub.[39] Due to the heavy editing of the motion picture in an endeavour to entreatment to American audiences, much of Nausicaä was cutting out, including much of the environmentalist themes, which were diluted. The chief subplot of the Ohmu was similarly altered to arguably portray them equally ambitious. Most of the characters' names were changed, including the titular character who became Princess Zandra. The United States poster and VHS cover featured a cadre of male person characters who are not in the film, riding the resurrected God Warrior—including a nonetheless-living Warrior shown briefly in a flashback. Overall, approximately 22 minutes was cut for Due north American release.[39] Warriors of the Wind also prompted Miyazaki to let translator Toren Smith of Studio Proteus to create an official, faithful translation of the Nausicaä manga for Viz Media.[40]

In the late 1980s, an English dub of Castle in the Sky was produced by Magnum Video Tape and Dubbing[41] for international Japan Airlines flights at the request of Tokuma Shoten. The Castle dub was briefly screened in the The states past Streamline Pictures. Carl Macek, the head of Streamline, was disappointed with this dub, deeming it "adequate, just clumsy".[42] Following this, Tokuma allowed Streamline to dub their future acquisitions My Neighbour Totoro and Kiki's Delivery Service. In Apr 1993, Troma Films, under their 50th St. Films banner, distributed the Totoro dub every bit a theatrical release, and the dub was later released onto VHS and eventually onto DVD by 20th Century Play tricks Habitation Amusement. In the early 1990s, an English dub of Porco Rosso was produced past an unknown visitor, again for international Japan Airlines flights. The original dubs can be seen on the 1996 Ghibli ga Ippai Laserdisc set, and on the initial copies for the Japanese DVD releases of Totoro, Laputa and Porco.

In 1996, Ghibli joined teams with Buena Vista International, an entertainment distribution company that is a part of The Walt Disney Company, allowing the studio greater admission to international audiences and promotions, including Disney-sponsored English language-dubbed versions of original films. Ghibli's partnership with Buena Vista provided the opportunity to expand its fanbase and bring full marketing efforts and promotional efforts to the U.s.a. and Europe, with English language dubs. Disney was able to pick the English dub voice actors, sometimes picking their own budding stars, while other times, picking relatively unknown actors, then the chief draw of the movies would exist the Studio and the directors. This manner, international fans in the US and Europe gained recognition of the studio name and many fans became more invested by picking their favorite of the Ghibli recurring directors, especially Hayao Miyazaki or Isao Takahata.[43]

Both Miyazaki and Takahata maintain specific personal blitheness styles, and tin can be recognized for their art throughout their careers. The consistency of their corresponding blitheness styles has also helped push Studio Ghibli movies into the mainstream overseas, since fans tend to go loyal to their favorite style of animation. Another factor that helped Studio Ghibli gain international popularity is the nostalgia that fans often speak of in reference to their favorite films, peculiarly those by Miyazaki, the almost prolific director under the Studio. Miyazaki has maintained a very like animation style throughout his career, which can even be seen in his offset moving picture, Nausicaa of the Valley of the Current of air (1984). Since, Miyazaki has directed many of the well-nigh pop and famous Ghibli films, including My Neighbor Totoro (1988) and Spirited Away (2001), he has finer become the face of the studio, especially with foreign audiences (besides the official mascot, Totoro).[43]

In 1996, Walt Disney Studios acquired worldwide distribution rights to the Studio Ghibli library, with Disney redubbing all previously dubbed films.[12] [44] In addition, Walt Disney Studios Japan agreed to contribute x% of the funding for all futurity releases, starting with My Neighbors the Yamadas, in exchange for right of get-go refusal regarding international distribution.[thirteen] Disney continues with this practice to this twenty-four hours, even extending information technology to the works of Studio Ponoc and to co-productions like The Reddish Turtle in Japan. Information technology was said to have taken four years for Disney and Studio Ghibli to accomplish a distribution deal. Originally, the Ghibli films were meant to headline a line of videos chosen Blitheness Commemoration, highlighting critically acclaimed animated films from around the world. These plans never materialized in full, just the Animation Celebration logo can be seen on Disney's original VHS release of Kiki'south Delivery Service. During Disney's tenure, the studio produced the English dubs and released 15 of Ghibli's films, plus Nausicaä of the Valley of the Current of air through the Walt Disney Pictures, Buena Vista Abode Video, Miramax and Touchstone Pictures banners.[45]

Disney and Ghibli accept also selectively chosen non to promote and record an English-dubbed version for films and works deemed less internationally marketable, including some of Takahata'south more developmental and obscure pieces.[43] Although the Studio has a "No cuts" policy in terms of international versions and dubs, this does non apply to promotional posters, etc., for which the picture makers collaborate with Disney to produce cultural appropriate international versions. The Studio has not shied away from slight rebranding on the international stage in order to convey slightly tweaked promotional imagery for different cultural norms. One example of these slight tweaks to international promotional materials can exist seen between the Japanese and English versions of the picture show poster for Spirited Away (2001). For American and other English language-speaking audiences, the proper name of the film was changed from the Japanese version, which directly translates roughly to, "The Disappearance of Chihiro and Sen", to Spirited Abroad to suggest more mystical, otherworldly themes, since the directly Japanese translation could be taken to mean that Chihiro/Sen disappeared due to some more than unsafe reason. On the American movie poster, more than pictures of spirits from the film were added to the background to further pique the viewer's interest with more than supernatural themes, creating an association between the pictures spirits and what virtually American people would recollect of as "ghosts". For the Japanese poster, there are fewer spirits equally the Japanese Shinto religion normalizes the existence of spirits, so less emphasis is needed to convey the importance of non-human spirits. Also, Disney enlarged the "Studio Ghibli" and "Hayao Miyazaki" labels on the poster, helping to bring greater sensation to the studio through the success of Spirited Away.[46]

In 2011, GKIDS acquired the N American theatrical distribution rights of the aforementioned Ghibli films, with Walt Disney Studios Home Entertainment retaining the home video rights.[47] Afterwards, in 2013, GKIDS acquired the US and Canadian distribution rights to From Up on Poppy Hill. The film, which Disney passed on to GKIDS due to dealing with potential incest, marked the first time since 1996 that Disney handed a Studio Ghibli flick off to some other distributor. Afterward, GKIDS would get on to distribute the films Disney found to exist besides mature or unmarketable for American audiences: Just Yesterday, Ocean Waves, The Tale of the Princess Kaguya and When Marnie Was At that place. Finally, in July 2017, Disney relinquished its abode video rights (with the exception of The Wind Rises, which remained with Disney until 2020 due to a distribution clause) to GKIDS, which currently handles all theatrical and abode media distribution of Ghibli films in North America along with Mary and the Witch's Blossom.[44] Nevertheless, Disney yet continues to handle select distribution in Japan (dwelling media), Taiwan and Red china.

GKIDS' domicile media releases take been handled by multiple distributors. Cinedigm distributed the home media release of Poppy Hill, Universal Pictures Domicile Entertainment distributed the dwelling house media releases of Kaguya, Marnie, Mary, Yesterday and Waves, and Shout! Factory all subsequent releases thus far. The Ghibli films owned past GKIDS were made bachelor for digital purchases on most major services in the U.s.a. and Canada on December 17, 2019, through Shout! Manufacturing plant.[48]

Beginning in May 2020, Studio Ghibli's catalogue is available for streaming on HBO Max.[49]

Ghibli likewise partnered with the Walt Disney Company in 2010 to assistance produce The Secret World of Arrietty, a feature-length pic inspired past the British novel, The Borrowers, written by Mary Norton in 1952.[fifty] To assist introduce Ghibli to a new generation of American children, the film was promoted to American children on the popular Telly channel, Disney Aqueduct. The (American) English dubbed version also included the voices of well-known Disney Channel original Tv-bear witness stars from that time, including Bridgit Mendler, from Adept Luck Charlie and David Henrie from Wizards of Waverly Place.[51]

Ghibli has as well capitalized on its success by offer film and grapheme-inspired merchandise for purchase in several countries, including the U.s.. They have at present partnered with Amazon to create an official merchandise line available for fans effectually the globe. This merchandise is distributed from Japan. This includes stickers, stuffed animals, figurines, posters and more.

In terms of international awards, Ghibli has also performed well, receiving an Oscar for Spirited Away (2001) at the 75th University Awards for Best Blithe Feature. At the time, in 2003, information technology was the starting time film to win this honor which was originally produced in a linguistic communication other than English.[52]

International [edit]

Outside Asia (including Japan) and Due north America since 2003, Wild Bunch has held international sales rights to Ghibli's picture show library and serves equally a distributor itself in France and Kingdom of belgium along with dwelling media rights released under the Wild Side Vidéo label (distributed by Warner Bros. Home Entertainment France) .[53] The company besides sells distribution rights to separate distributors across the world, including StudioCanal UK/Elysian Film Group (U.k. and Ireland), [a] Universum Film (Deutschland), Lucky Cherry-red (Italy), Vértigo Films (Spain) [b] and Madman Entertainment (Australia and New Zealand).

Notably, The Cloak-and-dagger Earth of Arrietty received a second dub exclusive to the Uk, produced by StudioCanal, likely due to the picture's origins being from Mary Norton's British novel The Borrowers.

Disney formerly held the international sales rights as well until Wild Bunch's purchase in 2003. Disney kept the French distribution rights to Ghibli'southward library until September 2020, when it had expired and transitioned off to Wild Bunch.[54] Since 2021, Warner Bros. Abode Entertainment currently serves as the dwelling house media distributor of Studio Ghibli'due south itemize via its current distribution deal with Wild Agglomeration through the Wild Side Vidéo label.[55] [56] [57]

Currently, several films are as well available for streaming on Netflix in all countries except for the US, Canada, Nihon, and Communist china.[58]

Streaming rights [edit]

Prior to 2019, Studio Ghibli opted non to brand its films bachelor digitally, feeling that physical media and theatrical events like GKIDS' Studio Ghibli Fest would piece of work more towards their goal of mindful care and curation for their films. Disney had previously lobbied for a streaming deal with Ghibli during their distribution tenure, but such attempts were never materialized.[45] The studio heads changed their minds afterward hearing a quote from American histrion and director Woody Allen near how there should be multiple outlets for feature films.[59]

On October 17, 2019, WarnerMedia's HBO Max appear information technology had acquired exclusive streaming rights to Studio Ghibli's catalogue in the Usa as part of a deal with GKIDS; these films were available when the service launched in May 2020.[60] On Jan twenty, 2020, information technology was appear that Netflix caused the exclusive streaming rights to this catalogue in all regions where it operates except for the United States (in which Netflix does have streaming rights to The Castle of Cagliostro and Mary and the Witch's Blossom), every bit role of a bargain with Ghibli's international sales rights partner Wild Agglomeration. Seven of twenty-ane films in the studio'southward catalogue were released on February ane, 2020, with the others following on March one and April 1.[61] Netflix then struck a split up bargain with GKIDS for streaming rights in Canada which was announced on June 22, and came into outcome on June 25 for most films.[62] Currently, no streaming rights deals have been announced for Studio Ghibli's domicile country of Nippon, nor for markets such as China where neither Netflix nor HBO Max is bachelor.

Grave of the Fireflies [edit]

Most of the in a higher place deals exclude Grave of the Fireflies; unlike most of the other films, which were published past Tokuma Shoten, Grave of the Fireflies was produced and is owned by Shinchosha, which also had published the short story it was based on, and as such, fell into different rights holdings.[48]

Grave of the Fireflies was released in Japan on VHS by Buena Vista Home Entertainment nether the Ghibli ga Ippai Collection on August seven, 1998. On July 29, 2005, a DVD release was distributed through Warner Home Video. Walt Disney Studios Nihon released the complete collector'due south edition DVD on August 6, 2008. WDSJ released the moving-picture show on Blu-ray twice on July 18, 2012: one equally a single release, and 1 in a 2-motion-picture show set with My Neighbor Totoro.

It was released on VHS in N America past Primal Park Media in a subtitled course on June 2, 1993.[63] They later released the flick with an English language dub on VHS on September one, 1998 (the same twenty-four hours Disney released Kiki's Commitment Service in Northward America) and an all-Regions DVD (which besides included the original Japanese with English subtitles) on Oct 7 the aforementioned year. Information technology was afterwards released on a two-disc DVD ready (which once again included both the English dub and the original Japanese with English language subtitles as well as the moving picture's storyboards with the second disc containing more than extensive Bonus Features) on October 8, 2002. It was released by Central Park Media one last time on December 7, 2004. Following the May 2009 bankruptcy and liquidation of Central Park Media,[64] ADV Films acquired the rights and re-released it on DVD on July 7, 2009.[65] Following the September 1, 2009 shutdown and re-branding of ADV,[66] their successor, Sentai Filmworks, rescued the film and released a remastered DVD on March 6, 2012.[67] [68] A Blu-ray edition was released on November 20, 2012, featuring an all-new English dub produced by Seraphim Digital, along with a digital release that same year.[69]

StudioCanal released a Blu-ray in the Uk on July one, 2013.[lxx] Madman Entertainment released the film in Commonwealth of australia and New Zealand.

Works [edit]

While not technically Studio Ghibli films, The Dandy Chance of Horus, Prince of the Lord's day (1968), Panda! Go Panda! (1972), The Castle of Cagliostro (1979), Jarinko Chie (1981), Gauche the Cellist (1982), Nausicaä of the Valley of the Wind (1984), The Ruby Turtle (2016), Mary and the Witch'south Bloom (2017) and Modest Heroes (2018) are sometimes grouped together with the Studio Ghibli library (particularly with the Ghibli ga Ippai home video collection released by Walt Disney Studios Japan) due to their ties to the studio.

Horus and Cagliostro were the feature-length directorial debuts of Isao Takahata and Hayao Miyazaki respectively, and were produced by Toei Animation and TMS Entertainment years before the founding of Studio Ghibli.

Nausicaä was directed past Miyazaki at Topcraft, a studio which Miyazaki, Takahata and Toshio Suzuki later purchased and renamed Studio Ghibli. As a result, the film has often been rereleased and marketed as a Studio Ghibli movie.

The Red Turtle was a collaborative effort past Studio Ghibli with Dutch animator Michaël Dudok de Wit and was branded as a Studio Ghibli release internationally. It was distributed by Sony Pictures Classics in Due north and Latin America.

Mary and the Witch'due south Bloom and Pocket-size Heroes were produced past Studio Ponoc, a company founded by Studio Ghibli veterans Yoshiaki Nishimura and Hiromasa Yonebayashi post-obit the 2014 restructuring of Ghibli.

For the purposes of the listing beneath, but films fully produced and released by Studio Ghibli are listed. Other Studio Ghibli productions are listed here.

Feature films [edit]

Twelvemonth Title Director Screenwriter(south) Producer(s) Music Original release RT Metacritic
1986 Castle in the Sky Hayao Miyazaki Isao Takahata Joe Hisaishi August 2, 1986 96%[71] 78
1988 Grave of the Fireflies Isao Takahata Tōru Hara Michio Mamiya April 16, 1988 100%[72] 94
My Neighbor Totoro Hayao Miyazaki Joe Hisaishi 94%[73] 86
1989 Kiki's Delivery Service Hayao Miyazaki July 29, 1989 98%[74] 83
1991 Only Yesterday Isao Takahata Toshio Suzuki Katz Hoshi July xx, 1991 100%[75] ninety
1992 Porco Rosso Hayao Miyazaki Joe Hisaishi July xviii, 1992 95%[76] 83
1993 Bounding main Waves Tomomi Mochizuki Seiji Okuda & Nozomu Takahashi Shigeru Nagata May 5, 1993 88%[77] 73
1994 Pom Poko Isao Takahata Shang Shang Typhoon July sixteen, 1994 85%[78] 77
1995 Whisper of the Heart Yoshifumi Kondō Hayao Miyazaki Yuji Nomi July xv, 1995 94%[79] 75
1997 Princess Mononoke Hayao Miyazaki Joe Hisaishi July 12, 1997 93%[eighty] 76
1999 My Neighbors the Yamadas Isao Takahata Akiko Yano July 17, 1999 78%[81] 75
2001 Spirited Away Hayao Miyazaki Joe Hisaishi July 20, 2001 97%[82] 96
2002 The True cat Returns Hiroyuki Morita Reiko Yoshida Toshio Suzuki & Nozomu Takahashi Yuji Nomi July 19, 2002 91%[83] 70
2004 Howl'due south Moving Castle Hayao Miyazaki Toshio Suzuki Joe Hisaishi Nov 20, 2004 87%[84] 80
2006 Tales from Earthsea Gorō Miyazaki Gorō Miyazaki & Keiko Niwa Tomohiko Ishii & Toshio Suzuki Tamiya Terashima July 29, 2006 43%[85] 47
2008 Ponyo Hayao Miyazaki Toshio Suzuki Joe Hisaishi July nineteen, 2008 91%[86] 86
2010 Arrietty Hiromasa Yonebayashi Hayao Miyazaki & Keiko Niwa Cécile Corbel July 17, 2010 95%[87] fourscore
2011 From Upward on Poppy Colina Gorō Miyazaki Satoshi Takebe July 16, 2011 86%[88] 71
2013 The Wind Rises Hayao Miyazaki Joe Hisaishi July xx, 2013 88%[89] 83
The Tale of the Princess Kaguya Isao Takahata Isao Takahata & Riko Sakaguchi Yoshiaki Nishimura November 23, 2013 100%[xc] 89
2014 When Marnie Was There Hiromasa Yonebayashi Hiromasa Yonebayashi, Keiko Niwa & Masashi Ando Takatsugu Muramatsu July 19, 2014 91%[91] 72
2020 Earwig and the Witch [36] Gorō Miyazaki Keiko Niwa & Emi Gunji Toshio Suzuki Satoshi Takebe December 30, 2020 (NHK General TV)

August 27, 2021 (Theatrical)

30%[92] 45
2023 How Do You Alive? [93] [94] [95] Hayao Miyazaki Joe Hisaishi TBA TBA TBA

Television [edit]

Year Title Creator Director Writer(south) Producer(s) Music
1987 The Story Of Yanagawa's Canals Isao Takahata Isao Takahata Hayao Miyazaki Joe Hisaishi
2014 Ronja, the Robber'southward Daughter Gorō Miyazaki Hiroyuki Kawasaki Nobuo Kawakami Satoshi Takebe
2021 Sgt. Chameleon Mine Yoshizaki Yusuke Yamamoto Mamiko Ikeda Yoshikazu Beniya Saeko Suzuki

Mode and themes [edit]

The signature style and recurrent themes of the studio reverberate those of Miyazaki and the other directors and creatives. Common themes include the risks posed past progress to tradition,[96] environmentalism and the natural globe,[96] [97] contained female protagonists,[98] the cost of war, and youth.[99] They tend to use intricate watercolor and acrylic 2nd animation with vivid colors (specially greens),[98] [99] and have a "whimsical and joyful artful".[97]

Notable animators and character designers [edit]

  • Masashi Ando (Paranoia Agent and Paprika)
  • Makiko Futaki (Akira, Angel's Egg)
  • Katsuya Kondō (Kiki's Delivery Service, Howl's Moving Castle)
  • Kitarō Kōsaka (Monster, Chief Keaton, and Nasu)
  • Kazuo Oga (The Night of Taneyamagahara, My Neighbor Totoro)
  • Kenichi Yoshida (Overman King Gainer and Eureka 7)
  • Akihiko Yamashita (Tide-Line Blue, Princess Nine, Strange Dawn, and Relic Armor Legacium)
  • Hideaki Anno (Nausicaä of the Valley of the Current of air, Neon Genesis Evangelion)
  • Takashi Nakamura (Nausicaä of the Valley of the Wind)
  • Atsushi Takahashi (Spirited Away)

See also [edit]

  • Ghibli Museum in Mitaka, Tokyo
  • Studio Kajino, a subsidiary of Studio Ghibli
  • Yasuo Ōtsuka
  • Studio Ponoc, founded by onetime members of Studio Ghibli
  • List of Japanese animation studios

References [edit]

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  1. ^ Besides includes DVD and Blu-ray distribution of The Bully Adventure of Horus, Prince of the Sun and The Castle of Cagliostro, the first total-length characteristic films directed by Isao Takahata and Hayao Miyazaki, respectively.
  2. ^ Co-distributed by Sony Pictures Home Amusement as of 2018.

Further reading [edit]

  • Cavallaro, Dani. The Animé Fine art of Hayao Miyazaki. Jefferson, NC: McFarland & Visitor, 2006. ISBN 978-0-7864-2369-9. OCLC 62430842.
  • McCarthy, Helen. Hayao Miyazaki: Master of Japanese Animation: Films, Themes, Artistry. Berkeley, Calif.: Stone Bridge Printing, 1999. ISBN 978-1-880656-41-ix. OCLC 42296779. 2001 reprint of the 1999 text, with revisions: OCLC 51198297.
  • Miyazaki, Hayao. Starting Point: 1979–1996. Beth Cary and Frederik L. Schodt, trans. San Francisco: VIZ Media, 2009. ISBN 978-1-4215-0594-7. OCLC 290477195.
    • Miyazaki, Hayao. Shuppatsuten, 1979–1996 ( 出発点—1979~1996 ). Tokyo: Studio Ghibli/Hatsubai Tokuma Shoten, 1996. ISBN 978-four-19-860541-4. OCLC 37636025. Original Japanese edition.
  • Miyazaki, Hayao. Turning Point: 1997–2008. Beth Cary and Frederik L. Schodt, trans. San Francisco: VIZ Media, 2014. ISBN 9781421560908. OCLC 854945352.
    • Miyazaki, Hayao. Orikaeshiten: 1997–2008 ( 折り返し点—1997~2008 ). Tokyo: Iwanami Shoten, 2008. ISBN 9784000223942. OCLC 237177737. Original Japanese edition.
  • Odell, Colin, and Michelle Le Blanc. Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata. Harpenden, Hertfordshire, England: Kamera, 2009. ISBN 978-1-84243-279-2. OCLC 299246656.

Documentaries [edit]

  • This Is How Ghibli Was Born ( ジブリはこうして生まれた , Jiburi wa kōshite umareta ) . 1998 documentary, Nippon TV, 28 min.
  • The Kingdom of Dreams and Madness ( 夢と狂気の王国 , Yume to Kyoki no Okoku ) . 2013 documentary by Mami Sunada, 118 min.

External links [edit]

  • Studio Ghibli on Twitter
  • Official website (in Japanese)
  • Studio Ghibli at Anime News Network's encyclopedia

gillencounto.blogspot.com

Source: https://en.wikipedia.org/wiki/Studio_Ghibli

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